Magnum in Motion Video Podcasts

Produced by Magnum PhotosToday's PicturesProduced by Zena Koo Magnum In Motion
Friday, Mar 28, 2008
Thursday, Mar 27, 2008
That Chintzy Look
Wednesday, Mar 26, 2008
Tuesday, Mar 25, 2008
Campaign Fever
Join the Fray
Join the Fray
© Martine Franck / Magnum Photos

What do you think of these photos?

Join the Fray, our reader discussion forum

By choosing a precise intersection between subject and time, [the photographer] may transform the ordinary into the extraordinary and the real into the surreal.
— Constantine Manos
Viva la Causa Chavez!
(c) Magnum Photos
Interactive EssaysProduced by Adrian Kelterborn Magnum In Motion
WARS: Middle East
WARS: Middle East
The second in a series of four essays revolving around a common theme

“It’s not actually the dead, the physical destruction, that takes the toll: It’s this sense of this endless cycle. It’s hard to go and watch the similar sort of circumstances play themselves out over and over again.”

- Christopher Anderson

Magnum In Motion begins a new format, a series of four essays in which photographers' imagery, experiences, and commentary come together to explore a given theme.

"WARS," the inaugural series was launched on the Magnum In Motion home page on March 19, five years after the war in Iraq began. It will be published in Slate in four episodes.

Our point of departure was a quote extracted from Magnum photographer Philip Jones Griffiths' 2006 interview conducted in London by Magnum In Motion. The British photographer and author of the book Vietnam Inc. (1971) said with tongue in cheek, "Photographers are either mud people or sand people. I'm a mud person." Three photographers covering conflicts today were asked to react to this quote in light of their own experiences documenting wars.

Book of the Week
<i>Jazz de J à ZZ</i>
Jazz de J à ZZ
by Guy Le Querrec
In this hefty book of 390 images, Le Querrec has arranged three decades’ worth of his passion for jazz and for those who invented it. It is a history of diverse events: recorded, experienced, and sometimes initiated by the photographer himself. These photographs are like the music—vibrant.